More questions!? |
In last month’s blog I let you all
know that the draft copy of my book is being read by six very important people
whose opinions I value to help shape the final edit. Therefore, this month’s
blog is going to have a slightly different feel to previous blogs, which I am
very excited about. And I hope you are too. My good friend and sister from
another mister – Lisa – suggested that each of my six readers should ask the
author (me!?) a question about the story. So below is the second part of the resulting Q&A
with my sample readers, and I hope it gives you all a little insight into the
actual project itself!
Are situations that arise in the book dealt
with differently than how you would have dealt with them in real life?
This is a tricky
one to answer without giving too much away. Essentially, yes. Although I would
say that Sarah is a little like me in terms of her initial journey – the
uncertainty of her feelings, suppressing what she felt and not being able to
say things out loud. Her development is that she became more forward and more
certain about herself. I would say as her character develops she is much braver
and bolder than I would be. I guess she is a vision of how much you can achieve
if you follow your own values and stay true to yourself.
Do you think that Sarah being in Australia
is the reason she was able to realise things, as she was removed from friends
and family? (Sarah is originally from the UK)
This is a good
question and perhaps helps explain why I did draw upon personal circumstance
for some elements of the story. I was lucky to grow up in a time where the
world was slowly changing their opinions on homosexuality, but speaking from
experience, being a teenager in the early 90s openly saying you were gay was
still hard. I was closeted until I was 22 years old but I knew I liked girls
well before that. However, I didn’t openly admit it to myself until I came back
from my own travelling experience.
It might explain
why I decided to opt to have the book based around travelling, not just for the
obvious metaphor of discovery but because you are out of your comfort zone and
finally on a path of realising who you are and what you like. You have a lot of
time on your own and meeting lots of new people who show you lots of things
about yourself. So I am biased in this opinion, also as the writer of Sarah’s
fate, but yes, I do think that the distance and being out of her comfort zone
helped highlight to Sarah who she was and who she was truly attracted to rather
than the influence and perceived acceptance of those she loves.
What was the motivation behind the change in
the ending of the story?
My original idea
for this book came to me just before I was at university, which was a long time
ago now! My initial version was how I wanted the story to end when I was 23
years old. I am now 36 so a lot has changed! When I ended the book the first
time round I was over the moon but I had this sub-plot idea which didn’t really
fit the story or its ending. However, once I let the goal of finishing the
story settle and I read back through what I had written, I realised it could be
so much better. My cousin Gareth helped strip it all back by giving me some
constructive comments and also some other literature to read to help develop my
idea.
In a reference to
previous blogs, I met someone earlier this year who used to ask: ‘What do you
want?’ ‘What do you dream of?’ ‘What are your goals?’ and ‘What have you
learnt?’ It slowly made me realise a few things about myself and I realised my
character had not learnt anything and was essentially written through the eyes
of a young naïve 23 year old, as I was then. The whole situation taught me a
lot about self-worth and respect, mainly through losing one and not demanding
the other. So I knew the ending had to change to ensure the protagonist had
developed and to also accommodate an original idea which I actually think acts
as an excellent metaphor. I guess to find out what I mean, well, you’ll have to
read the book.
Written by Corina
Hawkins, soon to be author of ‘Tattoos of memories’ and creatively bossed by
Lindsey Barnett.